Fillip is a Vancouver-based publishing organization that was formed in 2004 to expand spaces for critical discussions on contemporary art.
- Chris Fitzpatrick and Post Brothers: A Productive Irritant : Parasitical Inhabitations in Contemporary Art
- F15
- Mohammad Salemy, Nick Srnicek, and Alex Williams: Speed Trials: A Conversation about Accelerationist Politics
- F20
- Raven Chacon and Guillermo Galindo: Sound, Silence, and Process
- NA
- Bassam El Baroni and Hassan Khan: And the future remains, as always, unknown and unpredictable
- F18
- Ken Becker: Not Just Some Canadian Hippie Bullshit: The Western Front as Artists’ Practice
- F20
- Judgment and Contemporary Art Criticism: Panel One
- A
- Vincent Bonin: Here, Bad News Always Arrives Too Late
- F16
- Vincent Bonin: Here, Bad News Always Arrives Too Late
- C
- Philip Monk: Battle Stances: General Idea, CEAC, and the Struggle for Ideological Dominance in Toronto, 1976–78
- F20
- Intangible Economies: Forum Discussion
- B
- Christopher Régimbal: Institutions of Regionalism: Artist Collectivism in London, Ontario
- F19
- Alexander R. Galloway and Mohammad Salemy: The Question of Interface
- F18
- Jaleh Mansoor and Penny Slinger: Penny Slinger: Exorcisms
- NA
- Gabrielle Moser: Exhaustive Images : Surveillance, Sovereignty, and Subjectivity in Google Maps Street View
- F15
- Patricia Reed: Economies of Common Infinitude
- B
- Ariella Azoulay: Different Ways Not to Say Deportation
- NA
- John C. Welchman: Joseph Kosuth's The Second Investigation in Vancouver: Art on TV
- S1
- Bettina Funcke and Andrew Stefan Weiner: Intimate Cacophonies: An Exchange Regarding 100 Notes—100 Thoughts
- F19
- Lois Klassen: Arriving at Nowhere: Reflecting on Chris Kraus’s Radical Localism
- F20
- Saul Anton: Bin Laden’s Death Mask
- F15
- Miwon Kwon: Documents Magazine 1992–2004: Part One, Miwon Kwon
- F17
- Antonia Hirsch and Olaf Nicolai: Chant d’Échange
- B
- Melanie Gilligan: Affect & Exchange
- F16
- Melanie Gilligan: Affect & Exchange
- B
- Maria Muhle: Imitation of Life: Biopolitics and the Cinematographic Image
- F17
- Chantal Pontbriand and Amy Zion: Parachute: 1975–2007 and Its Afterlife
- F20
- Diedrich Diederichsen: Living in the Loop
- F14
- Lisa Marshall: An Evidence Horizon
- F13
- Judgment and Contemporary Art Criticism: Panel Two
- A
- Matthew Buckingham and David Harvey: Tracing Creative Destruction
- F18
- Chris Cozier and Claire Tancons: No More than a Backyard on a Small Island
- F16
- David Geers: Open Call Art, Democracy, and the Culture of Consensus
- F17
- Melanie O'Brian: A Wicked Problem: Fogo Island Dialogues
- F20
- Dexter Sinister and Eric Fredericksen: Re: The Serving Library
- F10
- Jeff Khonsary and Metahaven: Smashing Windows with Windows: Transparency, Design, and WikiLeaks
- F15
- Toril Johannessen: L’invention et la conclusion de l'oeil
- S3
- Zanna Gilbert: The Human Letter: Mail Art Exchanges between East Berlin and Northeast Brazil in the 1970s
- F20
- Christian Hänggi: Stockhausen at Ground Zero
- F15
- Jayce Salloum: sans titre/untitled
- F1
- Tirdad Zolghadr: Worse than Kenosis
- A
- Jeff Derksen: How High Is the City, How Deep Is Our Love
- F12
- Anthony Downey: Camps (or the Precarious Logic of Late Modernity)
- F13
- David Goldenberg and Markus Miessen: Re: Participation
- F10
- Caren Kaplan: “A Rare and Chilling View”: Aerial Photography as Biopower in the Visual Culture of 9/11
- F17
- Juan A. Gaitán: Folding Money
- F15
- Toril Johannessen: The Invention and Conclusion of the Eye
- S3
- Kenny Cupers, Markus Miessen, Magnus Nilsson, Ralf Pflugfelder, and Patricia Reed: Architectural Space as Agent
- F14
- Kenny Cupers, Markus Miessen, Magnus Nilsson, Ralf Pflugfelder, and Patricia Reed: Architectural Space as Agent
- C
- Patricia Reed: Co-autonomous Ethics and the Production of Misunderstanding
- F16
- Jon Davies: The Masculine Mystique
- F16
- Shepherd Steiner: Other Uses: Boolean Searches in the Martha Rosler Library
- F9
- Reid Shier and Michael Turner: Upon Further Reflection
- F14
- Renato Rodrigues da Silva: El Instrumento y Su Obra: On Luis Camnitzer’s Conceptualism
- F17
- Byron Peters and Jacob Wick: Scripting Misperformance, Misperforming Scripts
- F19
- Toril Johannessen: Oppfinnelsen og avviklingen av øyet
- S3
- Grace Ndiritu and Kathleen Ritter: A Conversation on Gaslight
- NA
- Diedrich Diederichsen: Judgment, Objecthood, Temporality
- A
- Candice Hopkins: The Golden Potlatch : Study in Mimesis and Capitalist Desire
- F13
- Candice Hopkins: The Golden Potlatch : Study in Mimesis and Capitalist Desire
- B
- Anna Banana, Zanna Gilbert, Michael Morris, and Vincent Trasov: Mr. Peanut Summit (Conversation)
- S5
- Ola El-Khalidi and Diala Khasawnih: Gastronomica Makan : An Ongoing Conversation
- F16
- Ola El-Khalidi and Diala Khasawnih: Gastronomica Makan : An Ongoing Conversation
- C
- Renato Rodrigues da Silva: Interdisciplinarity & Participation in Contemporary Brazilian Art
- F11
- Martha Langford: Some Uses of Disenchantment: Vladimir Putin’s Staged Photography
- F18
- Diedrich Diederichsen: Water Versus Objects: Reproduction or Dissemination, or How Did Pop Music Become Ubiquitous?
- F9
- Boris Groys and Andro Wekua: Wait to Wait
- F9
- Oraib Toukan: Events-Called-Schools: Transcript from the International Academy of Art Palestine
- F18
- Chris Sharp: The Concert Was Not a Success: On the Withdrawal of Withdrawal
- F18
- Lorna Brown and Anne Pasternak: Agility in Public
- F12
- Christina Linden: Forward Looking (Apocalypse Now or Later)
- F15
- Lene Berg and Jacob Wren: Contradictions and Paradoxes
- F19
- Vasif Kortun and Matthew Schum: Vasif Kortun: Istanbul qua Istanbul
- F6
- Monika Szewczyk: Investing in the Blank
- F14
- Monika Szewczyk: Investing in the Blank
- B
- Carson Chan: Measures of an Exhibition: Space, Not Art, Is the Curator’s Primary Material
- F13
- Nathan Crompton: Elegy of the Non-event
- F20
- Lawrence Rinder: Notes Toward a Conversation on Painting
- F11
- Sven Lütticken: The Making of Labour: The Movie
- F18
- Helen Molesworth and Amy Zion: Documents Magazine 1992–2004: Part Two, Helen Molesworth
- F17
- Paul Branca and Jesi Khadivi: Social Networks and Soft Crimes
- F20
- Zarouhie Abdalian, Aaron Harbour, and Jackie Im: Having Been Held Under the Sway
- F19
- Nina Power: Decapitalism, Left Scarcity, and the State
- F20
- Mayssa Fattouh and Walid Sadek: Tranquility Is Made in Pictures
- F17
- Jesi Khadivi: Artmoreorless: The Early Performances of Asco
- F17
- Haema Sivanesan: Producing Images in Times of War
- F13
- Shepherd Steiner: Where World View and World Lines Converge
- F1
- Philip Monk: Crises (and Coping) in the Work of General Idea
- F16
- Jan Verwoert: Faith Money Love
- F13
- Jan Verwoert: Faith Money Love
- B
- Hadley+Maxwell: Someone That Happens
- B
- Michèle Faguet: A Brief Account of Two Artist-Run Spaces
- C
- Michèle Faguet: A Brief Account of Two Artist-Run Spaces
- F3
- Robert Kleyn and Jordan Strom: Iterations of a General Practitioner: An Interview with Robert Kleyn
- F3
- William Wood: Notes on the Demise and Persistence of Judgment
- A
- Amy Zion: Ascetic Desire
- F14
- Lawrence Rinder and Shepherd Steiner: Re: Democracy and the Demos
- F10
- Eric Kluitenberg: Eclipse of the Spectacle : Art and the Network of Networks
- F12
- Liz Park: Crawl and Trace : Invisible Histories and the Project of Remembering
- F11
- Julian Myers: Riot Show : Some Notes on the Archive
- F12
- Matei Bejenaru, Livia Pancu, and Kristina Lee Podesva: Via Satellite
- F14
- Matei Bejenaru, Livia Pancu, and Kristina Lee Podesva: Via Satellite
- C
- Fionn Meade and Jayce Salloum: Re: Documentary Practices
- F10
- Eva Wilson: Exclusion Zones
- S2
- Keith Wallace: Artist-Run Centres in Vancouver: A Reflection on Three Texts
- F12
- Keith Wallace: Artist-Run Centres in Vancouver: A Reflection on Three Texts
- C
- Matteo Pasquinelli: The Labour of Abstraction: Seven Transitional Theses on Marxism and Accelerationism
- F19
- Luis Camnitzer: Art of the State
- F4
- Kristina Lee Podesva: A Pedagogical Turn: Brief Notes on Education as Art
- F6
- Jeffrey Swartz: Space-Run Artists: Art Activism and Urban Conflict in Contemporary Barcelona
- F7
- Jeffrey Swartz: Space-Run Artists: Art Activism and Urban Conflict in Contemporary Barcelona
- C
- Kate Steinmann: Apparatus, Capture, Trace: Photography and Biopolitics
- F15
- Kristina Lee Podesva and Ryan Trecartin: When the time comes you won’t understand the battlefield
- F13
- Jeremy Todd: Looking Glass Noir and the Ongoing Significance of Steel and Flesh
- F8
- Vanessa Nicholas: Great White North
- F18
- James Elkins: Judgment and Contemporary Art Criticism: Afterword
- A
- Kathy Mezei: Shadows and Blind Spots : Viewing the Domestic Interior
- NA
- Robert Eikmeyer and Slavoj Žižek: The Day After: An Interview with Slavoj Zizek
- F5
- Pan Wendt: Social Fabric
- F7
- Pan Wendt: Social Fabric
- C
- Willie Brisco, Liam Gillick, and Danna Vajda: It’s Interesting that You, with Your Values, Would Ask Me a Question Like This
- F7
- Fionn Meade: Oh, Inverted World
- F8
- Tom Morton: Three or Four Types of Intimacy
- A
- Ahmad Hosni: The Page that I Am
- F18
- Kristina Lee Podesva: When the Levees Break
- F12
- Irene Loughlin and Johan Lundh: Re: The Dialogical
- F10
- Letters and Responses: Responses to the Recent Cuts to Arts Funding in the Netherlands
- F14
- Berin Golonu and Ahmet Öğüt: Between the Scaffold and the Ruin: Ahmet Öğüt’s Exploded City
- NA
- Matthew Stadler: Reading Notes for Don't Take Any Jobs
- F6
- Lance Blomgren: Catastrophic Narratives
- F2
- Willem de Rooij and Anna-Sophie Springer: Colonizing the Exhibition Space
- F18
- Sven Lütticken: A Tale of Two Criticisms
- A
- Jesse McKee and Claire Tancons: On Carnival and Contractual Curating
- F13
- Letters and Responses: Responses to On Further Reflection
- F15
- David Court: Living the Image: Looking at Yam Lau’s Scapeland
- F8
- Lea Feinstein and Christian L. Frock: If You Aren't Mad as Hell You Haven't Been Paying Attention
- F9
- Rosemary Donegan and John O’Brian: Working Title
- F10
- Sven Lütticken: Once More on Publicness : A Postscript to Secret Publicity
- F12
- Ingrid Chu and Slavs and Tatars: Rebuilding the Pantheon
- F8
- Gabrielle Moser: Always Working: Introduction
- F18
- Joni Murphy: Althea Thauberger's Carrall Street
- F9
- Kim Dhillon: Language To Be Looked At
- F11
- Matthew Stadler: Just Here to Help: Global Art Production and Local Meanings
- F8
- Antonia Hirsch: Intangible Economies: An Introduction
- B
- Andrew Berardini: To A From Z
- F7
- David Goldenberg and Patricia Reed: What Is a Participatory Practice?
- F8
- Antonia Hirsch: Intangible Economies
- F13
- Antonia Hirsch: Intangible Economies
- B
- Barnaby Drabble: We Want Everything: Assembled Thoughts on Artist-led Culture in Zürich
- C
- Barnaby Drabble: We Want Everything: Assembled Thoughts on Artist-led Culture in Zürich
- F4
- Kathleen Ritter: Translating Rubble: Misreading Mark Manders
- F12
- Lu Jie: The Long March Project
- F2
- Haris Epaminonda and Jacob Fabricius: Unresolved and Unanswered and Unspoken
- F11
- Makiko Hara: Rethinking a History of Tokyo Art Speak
- F6
- Makiko Hara: Rethinking a History of Tokyo Art Speak
- C
- Joni Low: The Second Situation: Looking Back on the History of Chinese Contemporary Art
- F8
- Christian L. Frock: From (Starry Eyed) Vision to Nail
- F5
- Judgment and Contemporary Art Criticism: Keynote
- A
- Cao Fei and Jordan Strom: Your Utopia Is Ours
- F4
- Joseph del Pesco: From the Hip
- F7
- Grace Ndiritu: The Healing of America
- NA
- Randy Lee Cutler: A Spectrum of Difference
- F9
- Jeff Derksen: Times and Places of Critique
- A
- Molly Dilworth: Lightly Illegal: A Letter from the Most Elegant Public Bathroom in Southeast Portland
- F9
- Mark Wallace: From "Notes from the Center on Public Policy"
- F6
- Cliff Lauson and Lawrence Weiner: Vancouver from the Outside In: Part One
- F7
- Hadley+Maxwell: (Find us at the kitchen door) at unitednationsplaza
- F6
- Jamie Hilder: Reading Mario García Torres at the Berkeley Art Museum
- F11
- Gabrielle Moser: Exhibition-Making with Ghosts: The 1984 Miss General Idea Pavilion
- F11
- Markus Miessen: The Violence of Participation: Spatial Practices Beyond Models of Consensus
- F7
- Ariella Azoulay and Elle Flanders: The Right to Share the Public Archive: A Conversation about Ariella Azoulay’s Different Ways Not to Say Deportation
- F16
- Arni Haraldsson: Fried’s Turn
- F11
- Eleanor Morgan: Derrida's Garden
- F2
- Sean Dockray: The Scan and the Export
- F12
- Christian Hillesø, Kate Steinmann, and Johan Tirén: Re: Democracy, Economy, and Power
- F10
- Lorna Brown and Matthew Stadler: Re: Work and Boredom
- F10
- Charo Neville: Smooth Space Provisions: Multiple Voices in Curating
- F7
- Clint Burnham: Impossibility of an Island
- F5
- Ana Balona de Oliveira: Screens of Film, Video, Memory, and Smoke
- F9
- David Berridge: The Storyteller of Negative Space : Writing in the Work of Susan Hiller
- F11
- Monika Szewczyk: Departures from Death
- F2
- Jacob Korczynski: Psychedelia and the Site of Cinema
- F7
- Colin Browne: Lettre de Paris
- F4
- Zanna Gilbert: Mr. Peanut Summit (Introduction)
- S5
- Steve Lambert: Best Case Scenario
- F9
- Antonia Hirsch and Melanie O'Brian: On Second Thought: Looking Back at the 4th Berlin Biennial
- F4
- Dan Graham and Cliff Lauson: Vancouver from the Outside In: Part Two
- F9
- Antonia Hirsch: Someone Cares
- F1
- Lisa Marshall: Where Art Meets Design
- F7
- Irene Loughlin: Conversationally Arresting: Ethics, Empathy, and Identification
- F3
- Milena Tomic: An Impossible Map
- F11
- Rebecca Lane: "New" Museum of Modern (Contemporary) Art
- F4
- Maria Fusco: There is little respect for those who claim that Superman is not Clark Kent: Fiction, Criticism, and the Art of Anti-Suspense
- F6
- Maria Fusco: Say Who I Am / Or a Broad Private Wink
- A
- Lisa Coultard: Reiterative Revolution
- F3
- Teresa Steel: Chained Melody
- F7
- Lorna Brown: To Live Real Boredom, One Must Have Style
- F2
- Kimberly Phillips: Fetishism, Curiosity, and the Work of Brian Jungen
- F3
- Liz Park, Tim Saltarelli, and Kristina Scepanski: A Postscript to Creative Destruction
- F18
- Clint Burnham: No Art After Pickton
- F1
- Randy Lee Cutler: Through a Mirror, Darkly
- F3
- Joseph Mosconi: I Dream of Drella
- F8
- Cliff Lauson: Affirmations and Refusals
- F3
- Maria Fusco and Joseph Mosconi: Re: Fictions
- F10
- Robert Linsley: Surface, No Support
- F3
- Mark Clintberg: Re: Staging the Labyrinth
- F8
- Jesse Birch and Nicholas Brown: The Absent Enthusiast
- F5
- Juan A. Gaitán: That Thinking Feeling
- F7
- Alex Kitnick: Partial Recall
- F7
- Kathleen Ritter: Welcome to the Wild East
- F5
- Cheryl Meszaros: Marked as Withdrawn
- F5
- Kristina Lee Podesva: Time & Space in a Biennial for Chechnya
- F4
- Marina Roy: As the Hammer Strikes
- F1
- Aaron Peck: Given without Guide: Landscape Exhibitions at the Contemporary Art Gallery
- F11
- Alison Rajah: Thwarting the Royal Road
- F8
- Tyler Russell: Hold this Thread While I Walk Away
- F8
- Caroline Busta: Inside Out
- F4
- Joseph Mosconi: Appealing Biography
- F5
- Seamus Kealy: The Number One Galleries in the Number One City
- F2
- Maegan Hill-Carroll: From Yosemite to the Group of Seven, with Some Flatness in Between
- F9
- Brady Cranfield: By All Means Listen By All Means: Reading Aural Cultures
- F2
- Antonia Hirsch: Intangible Economies: Preface
- B
- Patrik Andersson: Against Stasis
- F5
- Colleen Brown: There Is a Horizon
- F5
- Aaron Peck: Farm Arugula with Figs: Bay Area Bazaar, The RED and the GREEN, and Ripe Family Supper
- F2
- Monika Szewczyk: Strains of thought in Antonia Hirsch's World Map Project
- NA
- Lindsay Brown: Now We Collect Situations
- F2
- Jeff Khonsary and Melanie O'Brian: Judgment and Contemporary Art Criticism: Preface
- A
- Kate Armstrong: A Manual for the Discrete and the Continuous
- F11
- Christopher Brayshaw: Feldmann’s Tact
- F4
- Emily Vey Duke: Art about Life Is Better than Art about Art
- F8
- Michael Eddy: Taking Down the Names of the Anonymous Movement
- F5
- Peter Culley: The Ghost Whisperer: Myfanwy's Time in the Woods
- F3
- Aaron Peck: If You Build It, They Will Come
- F5
- Natascha Sadr Haghighian: Excerpts from Solo Show
- F18
- Piero Golia and Eric Wesley: Basin Climbing: An Interview with Mountain School of Arts
- F6
- Jessie Caryl: Tower Ghosts and Swing Shifts
- F3
- Nate Lippens: Body Doubles
- F5
- Matthew Stadler: Don't Take Any Jobs
- F6
- Johan Lundh: Collective Conscious
- F7
- Liz Bruchet: Having Hired a Design Team, the Bad Slept Well
- F5
- Warren Arcan: Dialogue & Distance
- F4
- Adam Harrison: Mark Lewis’ Moving Pictures
- F4
- Anne Lesley Selcer: The State of Refuge in Vancouver
- F3
- Sara Mameni: Invasion of the Cybernetic Hand and Other Predicaments
- F5
- Jeff Khonsary: The Encyclopedia That Anyone Can Edit
- F14
- Colleen Brown: The Relational Meme
- F1
- Donato Mancini: The Bondo Between Word and Image
- F2
- Zoë Gray: Secret Svengali
- F4
- Alex Kitnick: Sean Paul’s Kammerspiel
- F11
- Fionn Meade: Ulterior Garden Motifs
- F4
- Jordan Strom: Hand in (Invisible) Hand: An Editorial
- F5
- Antonia Hirsch: Indirect Speech
- F11
- Eli Bornowsky: Notes on the Politics of Aesthetics
- F4
- Natascha Sadr Haghighian: In Conversation: Natascha Sadr Haghighian and Uwe Schwarzer
- F18
- Jeff Khonsary: Browsing the AAAARG Library
- F13
- Jordan Strom: Fillipics
- F1
- Andrew Power: Termini
- F2
- Susanna Haddon: Offensive Art
- F4
- grupa o.k.: Stagelessness (Introduction)
- S4
- Lawrence Rinder: Remain in Life
- F2
- Jordan Strom: Sink and Swim: An Editorial
- F4
- Kristina Lee Podesva: Between the Question Mark and the Comma
- A
- Mariana Castillo Deball: Visages Faux
- F8
- Jordan Strom: Work in Progress?
- F3
- Free Pussy Riot
- NA
- Maria Fusco: The Penalty for Perfidy
- F6
- Maria Fusco: The Penalty for Perfidy
- A
- Paul Chan: Untitled (Behold, I show you a mystery)
- F7
- A Long Road Turns: On the Release of Fillip 20
- F20
- François Perrin: Beneath the Hotel, the Beach
- F6
- Kristan Horton: Drawing of a History of World War One
- F7
- Cranfield and Slade: Sunshine Daydream/Maerdyad Enihsnus
- F9
- Ron Terada: Have You Seen This Kitten?
- F8
- Metahaven: WikiLeaks: Axis of Reputation
- F15
- Slavs and Tatars: Pantheon of Broken Men and Women
- F8
- Marisa Jahn: Fillip Index
- F9
- Julia Meltzer & David Thorne: Fillip Index
- F8
- Micah Lexier: The Sentence is the Page Number
- F6